By Martha C. Sammons
A consultant via Narnia was once one of many first in-depth reports of C.S. Lewis's seven Chronicles of Narnia. the point of interest and association of this revised and increased variation is on why Lewis wrote the books as fairy stories, the easiest "Form" for his principles. it truly is written for either scholars and students who are looking to extend their figuring out of those renowned classics. Chapters contain: -Seeing images: How the books have been written, chronological summaries, booklet historical past -Selecting the suitable shape: Why Lewis selected the fairy story shape, fairy story components and magnificence -Seeing guy as Hero: baby heroes -Stealing prior Dragons: features of non secular delusion, allegory and "supposition," Christian components -Stepping during the Door: subject matters and results of fable -Dictionary of Names and locations Martha C. Sammons is Professor of English at Wright kingdom college.
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Extra resources for A Guide Through Narnia (Wheaton Literary Series)
His greediness and inner nastiness is, of course, made tangible and visible by his transformation into a dragon. Yet the experience vastly improves him. Realizing the nuisance he has been, he begins to examine his thoughts about himself and the others. Then Aslan gets hold of him and "from that time forth," Eustace really begins to be a different boy. The change doesn't occur overnight. "He had relapses. There were still many days when he could be very tiresome. But... " Eustace and his friend Jill Pole provide good examples of what Lewis perceives as dangerous trends in American and British educational systems.
The professor uses the following logic: "There are only three possibilities. Either your sister is telling lies, or she is mad, or she is telling the truth. You know she doesn't tell lies and it is obvious that she is not mad. " Lewis uses the same sort of argument in Mere Christianity concerning belief in the claims Christ made about himself: either he was a lunatic, or a devil of hell-or the Son of God himself. " In contrast, both Digory and Andrew are awed by her beauty. No matter which "side" one is on, once one has been in the presence of either Aslan or the Witch, his perspective is never the same.
His speed, says Emeth, is like that of an ostrich, his size like an elephant's, his hair like pure gold, his bright eyes like liquid gold. Here, Lewis has succeeded in doing what, in his Preface to Paradise Lost, he admits is difficult for any author: portraying a totally good character. "To draw a character better than yourself, all you can do is to take the best moments you have had and to imagine them prolonged and more consistently embodied in action. But the real, high virtues which we do not possess at all, we cannot depict except in a purely external fashion.
A Guide Through Narnia (Wheaton Literary Series) by Martha C. Sammons